The canyons are made out of Navajo sandstone and have been eroded over millions of years by flash floods, wind and weather, giving their walls undulating lines that mimic the wind. The reds and oranges in the canyon are repeated in the colour of the woman’s hair, creating a harmonious, almost monochromatic composition. The canyons that I chose to combine on either side of the woman embrace her as if she is in the safety of a mother’s womb. The warmth of their walls cocoon the woman and provide her an escape from the outside world.
The ray of light that shines down from the small opening at the top of the rocks further guides the viewer’s eye to the woman inside. The ray of light falls just shy of the woman, illustrating that she is close to touching the light and the hope that it promises -- all she has to do is step into it when she is ready. While her back may be to the light, if the woman lifts her head slightly, she will see the path illuminated before her.
“A Ray of Hope” illustrates that in moments of quiet solitude and comfort, you can hear your own voice and awaken to the hope and promise that awaits you.